Privacy Note: Source uses cookies or similar technologies to analyze trends, administer the website, track users’ movement around the website and to gather demographic information about our user base as a whole. The technology used to collect information automatically from Source Users may include cookies, web beacons, and embedded scripts. In addition, we and our analytics providers (such as Google), and service providers (such as PayPal and Mailchimp) may use a variety of other technologies that collect similar information for security and fraud detection purposes and we may use third parties to perform these services on our behalf. If you continue to use this site, you agree that we can place these types of cookies on your device. 

Source Photographic Review - Back Issue Archive - Issue 17 Winter 1998 - Editorial Page

EDITORIAL:
Issue 17 — Winter 1998

Source - Issue 17 - Winter - 1998 - Click for Contents

Issue 17 — Winter  1998
View Contents ▸

With the redesign and relaunch of the magazine it is an appropriate time to define what Source magazine is aiming to achieve. We aim to act as a stimulus for Ireland's photographers, providing an outlet and catalyst for their work combined with an enlivening critical debate. With the publication of the first two photographic projects and the first of the essays specially commissioned by the magazine we hope that we are approaching this goal.

Through the portfolio days we have regular and direct contact with artists and photographers producing work from many different backgrounds. The magazine seeks to reflect this diversity. In this issue Louis Croke and Martina Mullaney represent the first of our photographic commissions. Croke explores the world of the elderly bachelor Mick Monogue. For over a year she visited his house, slowly getting to know his personal history and his daily routine. During this period she began gathering a mass of imagery from the various chaotic rooms in the house. Mullaney's work 'dinner for one' explores the subject of loneliness and in particular the experience of eating alone. The images are accompanied by a specially written text by Aidan Matthews. These commissions will be exhibited at the Old Museum Arts Centre in January.

In the first written commission Fiona Kearney examines the relationship between fine art photography and the media in Northern Ireland. This also forms the subject of the discussion forum organised by Photo Works North in December during which the theme will be expanded upon by a range of speakers across these areas of practice. Full details of this event are to found after the reviews.

— The Editors